ListenUp: Dance Me / Music of Leonard Cohen
Posted July 21, 2020
Posted July 21, 2020
Posted July 20, 2020
In five questions, we aim to discover more about Annenberg Center artists, Penn faculty and others whom we find interesting. This time, we feature Harlem-based piano phenom Emmet Cohen who made his Annenberg Center debut back in 2019. Cohen blew us away with his prodigious technique, innovative sound and exuberant charm. And now, you can enjoy this rising jazz star from the comfort of your home every Monday night for his Live from Emmet’s Place series. Read on to learn more about Emmet Cohen, and join us tonight at 7:30 PM as we share his Monday night concert on our Facebook page!
1. What first got you into music?
I first started piano lessons at three years old, and there was always a lot of music – not in my immediate family, not my parents – but on my dad’s side of the family. I think he always wanted to be a musician and it was something that he considered going into as a profession when he was a teenager in the 1960s. Out of high school, he had a recording contract with Brunswick, the same record label with the same management as Jackie Wilson. Jackie’s record came out the same time as his record and no one ever called him back again.
Posted July 8, 2020
1. What themes do you pursue in your work?
I primarily consider myself a collage artist— using as source material existing concrete music/sound/video. I do this to repurpose the emotional response to the material, pay respect to others, mark history through relevant reference, and also largely because of the sheer joy of creating in this manner. Broadly, I attempt to make art that approaches life and currently, highlights its absurdity by treading the tenuous line separating profound mundanity and a nearly fantastical loss of touch with reality.
Posted July 7, 2020
1. How would you describe the music that you typically create?
Without getting into my issues with genre names because of their inability to accurately describe music, the music that I typically create as both a composer and performer comprises myriad styles – almost always with an experimental bent. I like to think of myself as an individual who creates music that traverses many musical/art worlds and, ultimately, expands one’s consciousness and their sense of what music can do. Put another way, I musically am free to do whatever I want to do and create whatever music I wish. I think this compositional and performative attitude cuts directly to the chase and it seems the best way to describe it.
Alexander Freeman · Posted June 25, 2020
In the conversation, Ramsey shared that the project features updated versions of spiritual songs that he has heard since childhood. “I wanted this [project] to sound different than the things I had been writing. That makes you feel alive as a musician – to keep experimenting with different sound worlds and not just get locked into one thing.” Ramsey goes on, “A key [to growing] is to hang around younger musicians and see what they’re up to.” Ramsey does just that. The album includes a host of talented singers and instrumentalists, including Vince Anthony, Bridget Ramsey (Ramsey’s daughter), Rod McGaha and Brendan McGeehan, as well as one of Ramsey’s students at Penn, Anna Fleming.
Posted June 24, 2020
In advance of its originally scheduled performance in April, Sō Percussion had been collaborating with Busch and the Penn Sound Collective, a graduate composition group, since fall 2019. The April performance would have featured world premieres by Busch, Nathan Courtright, Flannery Cunningham, James Diaz and Ania Vu, but unfortunately had to be postponed due to the COVID-19 pandemic.
While we look forward to welcoming Sō for its Annenberg Center debut in the future, for now we are eager to gather online for an evening of mesmerizing solo percussion. See you July 1 at 7 PM on Facebook Live. (Please note, you do not need to have a Facebook account to watch this event.)
Posted May 6, 2020
Rachel Messeck · Posted April 22, 2020
During his time as a student, Legend was President and Music Director of Penn’s oldest, co-ed a cappella group, Counterparts. Days before Penn announced that it was transitioning to remote classes due to COVID-19, Counterparts performed some of their material for Legend over their spring break, in what would soon be one of the group’s final performances with their graduating seniors. Our hearts go out to all of the Penn performing arts groups who had to cancel shows they had been working towards, and especially those who won’t have the opportunity to perform together again once we return to campus. Help us show Penn’s student performers some love and follow <
Posted April 21, 2020